The critical acclaim and box office success of 2008′s Iron Man set the bar for every superhero venture after it. Which is why a spindly Future Sentinel is basically a slimmed down Chitauri warrior. Tolkien and spend years dwelling on intricacies, conjuring fresh, fantastical images is a tough nut to crack. Unless a creative is going to pull a J.R.R. #VISUAL GUIDE TO MARVEL LIVE ACTION CHARACTER RIGHTS MOVIE#Even when a Marvel movie isn’t a Marvel movie, it’s culling from the same source material. Joss Whedon‘s ensemble magic in The Avengers), but turn-around gives designers little time to stretch the possibilities of the source material art to individual heights. A creative visionary can inject a used formula with new spark (i.e. With greater interest, there’s an accelerated pace to producing superhero movies that leaves little time for innovation. I do believe that there isn’t enough comic book imagery to go around – at least by today’s demands. I don’t believe that Singer and his X-Men production team intentionally ripped off Thor‘s Destroyer when designing the Future Sentinel. An explosive money shot sent my brain racing backwards in time. The second instance was the trailer for X-Men: Days of Future Past that gave audiences their first glimpse of director Bryan Singer’s futuristic Sentinel robot. Sony and Fox are taking the same cues, hoping their Spider-Man and X-Men/Fantastic Four will iterate in an equally prosperous fashion. Totally plausible with the ever-growing character roster and no sign of Marvel losing the audience’s interest (a.k.a box office dollars). Two instances provoked an epiphany: first, Marvel Universe bigwig Kevin Feige‘s casual prediction that there could be one MCU movie in theaters per annual quarter. So why are these movies that I’m wired to enjoy on some level leaving me nauseous? I fall hook, line, and sinker for each new superhero movie, even when the buzz is deafening. I would categorize myself with a demeaning “fanboy” label, the type who grew up on comics, cartoons and trading cards, lost his mind over the ’90s Batman movies, was first in line for X-Men, still defends Superman Returns and Green Lantern, and put Captain America: The First Avenger on his top 10 of 2011. Lots of comic book movies translates to lots of comic book talk and lots of comic book consideration. If you thought there were too many superpowered crime fighters now… well, you’re doomed. is cooking with for its own DC superheros. #VISUAL GUIDE TO MARVEL LIVE ACTION CHARACTER RIGHTS TV#That’s not including TV shows, Marvel’s Netflix mini-series, and whatever Warner Bros. Between Disney, Fox, and Sony, Marvel properties claim release calendar dates through 2018. This week’s Captain America: The Winter Soldier marks the ninth film in Marvel’s self-contained Cinematic Universe and the beginning of a glut of 2014 comic book movies, including The Amazing Spider-Man 2, X-Men: Days of Future Past, and Guardians of the Galaxy. The breadth of superhero blockbusters is enough to stir up cinephiles pining for a break. The comic book movie itself isn’t deteriorating my insides, it’s the visual deja vu. The problem is sameness, an idea well run seemingly dry from self-imposed standards. I’ve been stomaching that for nearly three decades. It’s not the feeling of overdosing on the comic adaptation craze or stomaching another end-of-the-world scenario draped in convoluted geekery. I find my brain absorbing the visual information from each new entry in Hollywood’s format of choice, processing it through senses, cataloging it in memory banks, and more often than not, hitting the mental equivalent of the “spinning pinwheel of death.” An exploration of comic book movie double takes.
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